submit

Sandbox welcomes submissions from anyone either in or holding interest in the realms of architecture, design, the built environment, and far beyond. We encourage written essays, photo, video, or audio media, design projects, and any other media suitable for digital display. We encourage submissions which challenge/expand our understanding of traditional formatting or relevance to the theme. Send completed work or abstracts to sandboxatgt@gmail.com before April 14th.

Submissions can be either completed works or abstracts/proposals of work. Chosen submitters may receive optional edits from the Sandbox team, and selection for publication is ultimately based on finalized work. Selected works may be paired with response works to generate and prompt dialogue. Exemplary works throughout the thematic cycle may be selected for inclusion in an end-of-cycle printed release.

call for submissions:

issue 1: place and placelessness

What compels us to imbue a place with meaning and power? While the notion of place is crucial to our existence and evolution, it remains a subject to its complex, ever-changing context and inhabitants. We can understand places through multiple, intersecting forces — such as physical form, geographical location, human experience, personal and collective memory, evolution over time, functionality, accessibility, uniqueness, cultural and political contexts, and environmental impact. Yet, the effects of globalization, climate change, and shifting socio-technological paradigms alter and possibly threaten these complex but critical facets of place. To understand place — and placelessness — we are obligated to consider its evolving plurality, recognizing that no single lens can fully capture the layered realities that constitute them.

Since its emergence in the mid-20th century, prominent discourse has emphasized that the richness of place as a concept lies, in part, in its ambiguity, multiplicity, and deeply personal nature. If these contingencies remain true at present, then what are the current formative criteria of place and placelessness, and the significance between new landscapes, memory, and their culmination at individual and collective scales? Does physical space remain the context for all action, and regardless, what type of space is receptive to the depth of place?

Contemporary infrastructure and the Technosphere collapse Cartesian distance, making unlikely connections between disparate spaces, cultures, and environments. Is this merely an evolution of place into that which is fluid, transient, virtual, and cooperative, or does it suggest its thinning-out and eventual cessation? How do historical conceptions of place withstand in a world increasingly mediated by devices and artificial intelligence, blurring the boundaries between physical and virtual, as well as body and location?

In Place and Placelessness, Edward Relph states that the “essence of place lies in the unselfconscious intentionality that defines them as centers of human existence,” (43). Can place be conceived with intention if its processes of formation are largely understood as organic, ever-changing, and contingent on personal interaction and memory? Is this formation, and its continuity, the responsibility of the designer or inhabitant? If aspiration and possibility of meaningful, significant places do exist, how then do we balance forces of the contemporary market economy and pressures of commerce which prioritize efficiency, profit, and insensitive development?

For Issue 01, Sandbox aims to compile a diverse set of explorations on the historical and contemporary state of place, placelessness, and the architect’s role in and in-between. We ask all who are interested to view our submission guidelines and contact us at sandboxatgt@gmail.com.

Categories:

written (short):

Approx. one page or less, PDF format

abstract requirements (approx. 250 words):

  • working title
  • thesis/statement of intention
  • outline
  • explanation of relevance to theme

if pre-existing:

  • attached essay
  • explanation of relevance to theme
  • bibliography if relevant

written (long):

Max. 5000 words, PDF format

abstract requirements (approx. 500 words):

  • working title
  • thesis/statement of intention
  • outline
  • explanation of relevance to theme

if pre-existing:

  • attached essay
  • explanation of relevance to theme
  • bibliography if relevant

project:

Max. 50 MB, PDF format

abstract requirements (approx. 250 words):

  • attached project
  • working title
  • brief project statement
  • explanation of relevance to theme

*to be condensed/formatted with editor team for publication

misc.:

Max. 50MB, PDF, JPEG, MP3, or MP4 format

abstract requirements (approx. 250 words):

  • attached media
  • working title
  • optional statement of meaning
  • explanation of relevance to theme

*to be formatted with editor team for publication

Protocol + Conventions:

Submissions will be received via email, following guidelines for formatting and inclusion listed above. You will be responded to at the earliest convenience with further details.

File name and subject line should follow the naming convention:

LastnameFirstname_Submissioncategory_Thematiccycle

Ex. DoeJohn_Writtenshort_Placeless

Submitted work should follow the Chicago Manual Style.